JDM MA-1410 Audio Mixer 10 Input / 2 Output

Matrix 6 Input / 4 Output Mixer. Zone selector switch per channel, Triple/Base control per channel, LED level meters, Monitoring Speaker selector, Phantom Power switch, Priority for inputs 1, 2, 3.

The EPM12 is the largest frame in the EPM family and provides twelve mono channels, each with its own dedicated microphone preamplifier, alongside two stereo channels. That distinguishes it from many consoles carrying the same channel count on the badge but offering only a handful of real microphone inputs and a set of line-only stereo strips. Every mono channel offers three-band equalisation with a swept midrange, a pre-equaliser insert point, two auxiliary buses that can each be switched pre or post fader, mute and solo switches, and a dynamic peak indicator that samples the signal at several points along the channel strip rather than at a single node. The main mix is controlled by long-throw faders and fed to balanced XLR connectors, with insert points available on the mix output for a master compressor or equaliser. The console is built into a steel chassis with an internal wide-range switch-mode power supply and ships with rack mounting hardware, which makes it a common choice for halls, houses of worship and permanent multi-microphone installations. KIC supplies, installs, aligns and maintains it as part of the audio systems we deliver across Egypt.

The EPM6 is a compact analog mixing console with six mono channels, each offering an XLR microphone input and a quarter-inch line input, plus two stereo channels, giving ten usable inputs in a small chassis that can sit on a desk or be rack mounted with optional ears. The microphone inputs use the transparent GB30 preamplifier with a 55 dB gain range and generous headroom, and phantom power is switched globally from a single front-panel button. Every mono channel carries three-band equalisation with a swept midrange, shelving high and low controls, a pre-equaliser insert point for connecting compressors or external processors, mute and solo switches, and a multi-point peak indicator that glows more brightly as the signal approaches overload. Two auxiliary buses are provided and each can be switched pre-fader for a performer monitor mix or post-fader for effects sends. The master section uses 60 mm faders, ten-segment LED metering and balanced XLR main outputs, with the monitor and headphone feeds working in parallel so a performer and an engineer can listen at the same time. It is a practical choice for mosques, meeting rooms and smaller events. KIC supplies, installs, aligns and maintains it as part of the audio systems we deliver across Egypt.

The Notepad-5 is a small-format analog mixer with five inputs, built around one combo XLR and quarter-inch microphone channel that also accepts high-impedance sources such as an electric guitar plugged in directly, one stereo line channel on quarter-inch jacks, and a stereo RCA input for media players. Despite the compact footprint it uses a rugged metal enclosure that stands up to daily studio use and to being carried between rooms and venues. A two-in, two-out USB audio interface is built in, running at 24-bit resolution with a choice of 44.1 or 48 kHz sample rates, so the unit doubles as a recording interface and a desktop monitor controller. The USB return is summed with the RCA input on the final channel, and a ducking function automatically pulls down the level of background music whenever the microphone channel is active. The output section offers a main stereo output on XLR connectors and a quarter-inch monitor output that can be switched between a mono line feed and a headphone feed, with a master rotary control and four LED meters. It suits podcasting, home recording and small meeting rooms. KIC supplies, installs, aligns and maintains it as part of the audio systems we deliver across Egypt.